ISCM

C0 note (16,35 Hz) — vibrating on liquid surface

D0 note (18.35 Hz) — vibrating on liquid surface

C0 note (16,35 Hz) — vibrating on liquid surface

F0 note (21.83 Hz) — vibrating on liquid surface

G0 note (24.50 Hz) — vibrating on liquid surface

A0 note (27.50 Hz) — vibrating on liquid surface

Ibarra, Susie 

Susie Ibarra (Photo by Walter Wlodarczyk)
 
 

 

Biography

Composer/Percussionist Susie Ibarra creates live and immersive music that explores rhythm , indigenous practices and interaction with cities and the natural world. Ibarra is a Yamaha, Paiste and Vic Firth Drum Artist. She is a 2014 TEDSenior Fellow. Ibarra premieres a new project this year 2017 DreamTime Ensemble, with a forthcoming new album on Decibel Collective titled Perception, a collection of pieces around the idea of finding unfixed meaning in sensory experiences and interaction in ones environment . Her work includes , Musical Water Routes in the Medina of Fez, a music and river route mobile appin collaboration with architect Aziza Chaouni May 2016 Sacred Music Festival of Fez, Mirrows and Water, a composition and sonic installation commissioned for Ai Wei Wei’s Circle of Animals/Zodiac Signs at the sculpture trail of the National Museum of Wildlife Art, Jackson, Wyoming 2015; Digital Sanctuaries, a modular music app walk that remaps cities with sanctuaries of music and engages with historical and cultural sites within a city with music composed by Electric Kulintang commissioned by Lower Manhattan Cultural Council and City of Asylum Pittsburgh; Circadian Rhythms, commissioned for Earth Day 2013 at Renssalear RPI EMPAC inspired by endogenous rhythms for 80 percussionists and 8.1 surround sound of Macaulay Library recordings; The City a Radio Radiance commission for Young Peoples Chorus of NYC; We Float, a 2014 commission by Ecstatic Music Festival with singer songwriter Mirah, a sonic retelling of space explorations; and The Cotabato Sessions , a digital music film and album that captures one family legacy of gong-chime kulintang music in Mindanao, Philippines . She is a Faculty member at Bennington College where she teaches Performance, Percussion, and at the Center for Advancement of Public Action. Her teaching at the Center focuses on her work in rebuilding cities with the arts, art intervention and advocacy for human rights extended equally to women and girls. For more information, please visit her website: susieibarra.com.

 
Share

 

Works in ISCM catalogue

OR

 

Content posted to the ISCM website reflects the viewpoint of individual submitters; its appearance herein does not imply official endorsement by the ISCM, its Executive Committee, or the Delegates to its General Assembly.