ISCM

C0 note (16,35 Hz) — vibrating on liquid surface

D0 note (18.35 Hz) — vibrating on liquid surface

C0 note (16,35 Hz) — vibrating on liquid surface

F0 note (21.83 Hz) — vibrating on liquid surface

G0 note (24.50 Hz) — vibrating on liquid surface

A0 note (27.50 Hz) — vibrating on liquid surface

Composers' Competition

Nuovo Orfeo International Composition Competition, City of Padua

 

 

 

 

To mark the 50th anniversary of its foundation, the Orchestra di Padova e del Veneto islaunching an international competition for chamber orchestra composition. The competition is open to composers aged under 35 on 22 October 2016.

 

 

26th International Review of Composers Belgrade, 5–11 October 2017

 

 

 

 

CALL for Scores by Composers’ Association of Serbia for the 26th International Review of Composers Belgrade, 5–11 October 2017 a) Symphony orchestra (à 3) Duration: up to 15 minutes.

 

 

the International Composers' Competition of the European Capital of Culture Wrocław 2016

 

 

 

 

The Karol Lipiński Academy of Music in Wrocław would like to invite composers to the International Composers' Competition of the European Capital of Culture Wrocław 2016. The subject of the Competition is an orchestral composition inspired by Wroclaw’s culture, history or landscape.

 

 

26th International Review of Composers Belgrade

 

 

 

 

CALL for Scores by Composers’ Association of Serbia for the 26th International Review of Composers Belgrade, 5–11 October 2017 a) Symphony orchestra (à 3) Duration: up to 15 minutes. b) Women’s choir a cappella/Women’s choir with electronics Women’s choirs and an ensemble of up to five instruments c) Ensemble of 1–9 instruments d) Soprano, mezzo-soprano, and baritone (solo or any combination thereof), with or without electronics The deadline for competition applications is 20 October 2016 (CET).

 

 

II International Musical Composition Competition San Carlos Royal Academy of Fine Arts

 

 

 

 

The call is open to composers of any nationality, without age limit. Each composer may submit only one work. The work must be the individual composer’s original creation and must be unpublished, not the result of a paid commission, and not awarded in any other competition. The works must be written for flute (or alternatively flute-piccolo, and G-flute), viola and harp (with no electroacoustic resources). The duration of the compositions should be between minimum 12 minutes and maximum 20 minutes.

 

 

First International Electroacoustic Composition Competition IANNIS XENAKIS 2016

 

 

 

 

First International Electroacoustic Composition Competition IANNIS XENAKIS 2016 In an attempt to encourage the creation and diffusion of new electroacoustic works, Contemporary Music Lab of Aristotle University is organizing the first International Electroacoustic Composition Competition IANNIS XENAKIS.
Deadline: 31 December 2016
Read more...

 

 

Gaudeamus Muziekweek 2016

 

 

 

 

From 1 till 7 September 2016 (a week preceding the Muziekweek) the 3rd Gaudeamus Muziekweek Academy will take place. During the academy the five composers nominated for the Gaudeamus Award 2016 will work intensively with Amsterdam Sinfonietta, Ensemble Modelo62, Silbersee and Oerknal!. In addition to that, they will work on a new piece for Quatuor Bozzini and Oerknal!, both ensemble-in-residence.

 

 

Ticino Masterclasses 2016 July 17–30 luglio Lugano (Switzerland)

 

 

 

 

Masterclasses 2016 July 17–30 luglio Lugano (Switzerland) for all instruments, voice, composition and contemporary music. The contemporary music laboratory focuses in the creation of strong collaboration bonds between different actors: composers, interpreters, conductors and ensembles.

 

 

SYNTHETIS 18-30 July 2016

 

 

 

 

International Summer Course for composition students and young composers which offers lectures and individual meetings with outstanding artists.

 

 

The Aleph ensemble 8th International Forum for Young Composers

 

 

 

 

Scores, even if partial, should be sent before 30 November 2016 -– date as per postmark. The limit age is set at 40 years. The 4 composers whose piece has been selected, will be invited to a series of meetings-rehearsals-reflections as part of an 8 days’ residency in the Parisian region in April 2017, during which a recording will be made and at the end of which the works will be premiered. Their presence during the whole period is mandatory.

 

 

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